I write down what I observe in my notebooks. I do this for two reasons. The first is that Writing inculcates habits of precision and carefulness. The second is to preserve whatever knowledge I possess for you, the Sixteenth Person.Piranesi, by Susanna Clarke
One of the great joys of venturing out as things gradually reopened from the Covid-19 lockdown was the discovery that the nearby used bookstore hadn’t packed it in. I drove there fully expecting to find the windows dark and some kind of sad goodbye in Sharpie block letters taped to the window. Not at all. Sure, there was a sheet of Plex hanging over the cluttered desk, and there was a limit to how many people could be in the store at any given time (surely a gesture of great optimism), but it was open for business, and within 60 seconds I’d found a trade sized copy of Jonathan Strange and Mr. Norrell by Susanna Clarke (lots of luck finding that in a big box book store. All they have is the horribly inadequate mass market edition – trust me, I looked) and this beautiful book of Eugene Atget’s photographs.
I’ve known about Atget for years. I used one of his photographs as a reference for my drawing called Coincidental Misfortune. But this was a happy reunion. The photos of old Paris are sure to inspire my current writing, which is a second world novel that takes place in a crumbling old city – of course it does. The crumbling textures and mysterious windows will surely find their way into my drawings.
In another life, I would have loved to own a second hand bookstore. Maybe once and a while I would even have opened the door to share the treasure.