I bought Martin Seay’s The Mirror Thief several years ago because it ticked several boxes for me: great title, historical periods, rich descriptive writing, heft. It was the cover by Marina Drukman that caught me first though with its smart design and promise of mystery.
All of that notwithstanding, I didn’t start reading it until this summer. I am about halfway through. So far, there have been sections taking place in Las Vegas in 2003 (unexpected), Venice Beach California in 1958 and 16th century Venice. Each section expands the book, not only in setting but also in language. I am dying to see how all of this comes together at the end. The book is beautifully researched, but the reader isn’t bogged down by exposition. The second setting especially sent me to the internet to research historic photos of Venice Beach—a rabbit hole that consumed the better part of an evening.
Getting back to this book blog after a period of general life business.
I finished Mary Oliver’s collection of essays a few weeks ago. I am new to her writing and wish I’d discovered it earlier. I could have benefitted from the wisdom in these beautiful essays on art, creativity, nature and memory many times during my life. This is one of those books you burden with sticky notes and underlining. Oliver’s unsentimental observations about animals, foxes, birds, spiders and turtles are enthralling and occasionally shocking, but it is her reflections on creativity that really spoke to me.
The clock! The twelve-figured moon skull, that white spider belly.”
Of Power and Time
No one has yet made a list of places where the extraordinary may happen and where it may not. Still, there are indications. Among crowds, in drawing rooms, among easements and comforts and pleasures, it is seldom seen. It likes the out-of-doors. It likes the concentrating mind. It likes solitude. It is more likely to stick to the risk-taker than the ticket-taker. It isn’t that it would disparage comforts, or the set routines of the world, but that its concern is directed to another place. It’s concern is the edge, and the making of a form out of the formlessness that is beyond the edge.
Of Power and Time
The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.
But now, when I tried to see the whole affair from the point of view of the self interest of each of the parties involved, the anomaly came to me suddenly.
The Quincunx, Charles Palliser
I spent most of the Christmas break reading The Quincunx, which somehow I’d managed to put off since it was recommended to me sometime in the 1980s. At 781 pages, it it the longest novel I’ve read in a while. It also weighs a ton. I think it left a permanent groove in my chest. It’s dense, immersive and in places harrowing. For this image, I paired it with Philip Davies’ Lost London, 1870-1945, which is filled with beautiful archival images of London. Both books are highly recommended.
So many books are inextricably connected with friendships. I still remember the moment in the 1970s when a friend insisted I read Out of the Silent Planet by C. S. Lewis while we were waiting for his Greyhound in a snowstorm. He nearly missed his bus when we made a mad dash for a nearby bookstore. On another occasion I was leaving a friend’s house in Toronto when she handed me a copy of John Crowley’s Little, Big, a book that remains a favorite to this day. A few years ago, my friend Tim passed away. Our friendship was based on words – we never met in the real world, just online. Tim, a writer and instructor of writing during his life, was well read and often recommended authors to me. Here are few, which include some old friends and some yet to meet.