It’s the nature of writing and publishing that things take forever to happen. Regardless, it’s my intent to update Amnesiac’s Library at least once a week.
For the past few months I’ve been working on a number of new projects. One in particular has moved ahead of the others, a fantasy novel with the working title of Time of Being. I’m 25,000 words into the first draft, and this week I decided to step back to review, and to structure things a little more. I don’t write with much of a plan in the early stages. I write with images and fragments, which are a little like nascent neurons seeking pathways to something more connected. Like the brain, there is a serious pruning after the first rush.
I’m happy with what I have – or will be, with some tinkering (okay a lot of tinkering), and consequently this project will be the one I pour my efforts into during 2020. My goal is to have a solid first draft by June. By that time, I hope to have some good news about my next-to-be-published novel Tailor of Echoes, and have the next volume of The Darkling Lands available. WRT the latter, as with volume one, volume two will include a short story along with a generous collection of art.
The Pact is a one of a kind, hand drawn artist book. Each panel of this accordion book is approximately 10 x 10 centimetres. It was drawn in carbon black acrylic ink on folded watercolour paper. It is available for a purchase in my webstore.
My novels The Lost Machine and Necessary Monsters will soon be available in audiobook format through Encyclopocalypse Publications. The books are in production now, and I’m pleased with the choice of narrators. Follow the link to see the artwork and see EP’s other offerings.
Update 01/30/20 The Lost Machine is available on Audible. Necessary Monsters is pending.
This is an excerpt from Lint, a short story in my forthcoming collection Magpie’s Ladder.
“A pale giant sat in the middle of a small boat, nine fingers whitening on the gunwale. His nickname was Crane, given for his slender limbs and long neck. Crane feared any expanse of water, and had a prickling acquaintance with finned fish anaphylaxis. The lake was a fogged mirror with silvering marred by innumerable darting pumpkinseeds. He hummed “Jelly Roll Blues” to calm himself. The vintage outboard motor, which looked like some kind of reeking steampunk beetle, seemed about to rattle the boat to pieces. Crane only loosened his grip when the island, for so long a scribble on the horizon, began to fill his field of vision. The pilot, a desiccated man who’d offered Crane a bump of meth off the back of a freckled hand before setting out, let the boat drift toward the shore. They said goodbye, in a haze of pale gasoline exhaust.”
Magpie’s Ladder, my first collection of short stories is set to be published next month by PS Publishing in the UK. It contains 5 illustrated stories and a wrap-around cover featuring my art. These are weird tales with elements of fantasy and horror. The stories are,
Magpie’s Ladder: A researcher’s curiosity draws her to the dream realm of the Darkling Lands.
The Engrosser: Condemned by his own crime, an engrosser plumbs the labyrinthine depths of his firm’s building to find that he is not alone.
Lint: A giant searches for his missing brother.
The Elephant Bridge: A young woman opens a sealed house atop a crumbling bridge.
Thin Skin: A young academic moves into the house of a dead professor and finds himself trapped in a dark fairy-tale.
In past years PS has used my artwork for a series of Caitlin R. Kiernan reissues, and a novel by Kim Wilkins called Odin’s Girl. I’m very pleased that they are now publishing my stories.